December 2, 2020

Premiere: London’s The Wolfhounds back with a bite on ‘Electric Music’ LP

Wolfhounds, photo by Andrew Springham

London-based C86 legends The Wolfhounds are back and better than ever with their new album ‘Electric Music’, newly released via A Turntable Friend Records. Always ahead of the times, The Wolfhounds have never nailed “the spirit of now” more succinctly and devastatingly than on this new album. 

Probably their greatest album yet, the band has become truly (hyper-)active again, performing at several popfests (including Berlin and New York) and stand-up comedian Stewart Lee’s All Tomorrow’s Parties, as well as regular club dates in the UK and Europe. Stewart Lee also wrote the extensive sleevenotes for the record. The band continue to be more relevant and adventurous than ever and, despite their indie roots, have more in common with the likes of Richard Dawson and Sleaford Mods than their old jangly peers. ‘Electric Music’ grabs their home country’s woes by the horns and gives them the kicking they deserve!

Earlier, the band released lead single ‘Can’t See the Light’, a powerful track that opens fire on side one of the forthcoming record with captivating video by David Janes.

 

Originally formed as teenagers in 1984, The Wolfhounds released four critically acclaimed LPs before initially disbanding in 1990. By that time, they released music on the legendary and influential C86 cassette via NME, recorded three John Peel sessions for BBC Radio One, and toured the UK and Europe extensively as headliners and as support for My Bloody Valentine, The House of Love and The Wedding Present. The band’s acknowledged and audible influence stretches from Nirvana to the Manic Street Preachers, and all the way to Fontaines DC – but musically they remain ahead of all. In 1987 they released the ‘Unseen Ripples From A Pebble’ LP and we listen loud to this gem out of it!

 

The band reformed in 2006 at the request of St Etienne’s Bob Stanley to celebrate 20 years since the release of C86, and inflicted a severe guitar noisefest on an unsuspecting indiepop crowd at London’s ICA. Since 2012, they have been recording and releasing new material, including ‘Middle Aged Freaks’ (2015) and ‘Untied Kingdom or (How to Come to Terms With Your Culture)’ (2017), repeatedly showing that they can still blow any act half their age offstage. In 2018, Wolfhounds released ‘Hands in the Till – The complete John Peel sessions’, a 12-track album released via A Turntable Friend Records.

‘Electric Music’ is available everywhere digitally, including Apple MusicSpotify and Bandcamp, as well as on vinyl and CD on the latter platform.

 

Keep up with The Wolfhounds

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Wolfhounds, photo by Helen Golding

 

About Mike D 265 Articles
Hey people I'm Mike D from Athens GR (43). I'm a sound engineer, radio producer, and certainly a music "freak." I couldn't be anything else, you see: I grew up in a musical home (my father was a composer), and wanted to be a rock-star but wasn't patient enough to study music. Instead, I studied the technical stuff and went really "nuts" when I started writing articles about the bands and artists I love. It all started back in 2002 in a printed magazine (Sound Maker - RIP) and I still do it because I really like sharing my libraries, discotheque, info, connections, knowledge, and all. I'm involved in all "waves" music (new wave/darkwave/post-punk/shoegaze), punk, industrial, EBM, alternative rock, indie, electronic, avant-garde/ experimental/ freestyle...but on the other hand I can easily throw a classical CD in the player, or a jazzy tune, or...ok you get it: Music! I'd like to read your comments on my writing because you know how it goes, and you all know the glorious song by Placebo,"Without You I'm Nothing"...Thanx and enjoy Freedom and Music, Loud!
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